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The Columbian half dollar is a coin issued by the Bureau of the Mint in 1892 and 1893. The first United States commemorative coin, it was issued both to raise funds for the 1893 World's Columbian Exposition and mark the quadricentennial of the first voyage to the Americas of Christopher Columbus, whose portrait it bears. The Columbian half dollar was the first American coin to depict a historical person. The coin stems from the desire of the Columbian Exposition's organizers to gain federal money to complete construction of the fair. Congress granted an appropriation, and allowed it to be in the form of commemorative half dollars, which legislators and organizers believed could be sold at a premium. Fair official James Ellsworth wanted the new coin to be based on a 16th-century painting he owned by Lorenzo Lotto, reputedly of Columbus, and pushed for this through the design process. When initial sketches by Mint Chief Engraver Charles E. Barber proved unsatisfactory, fair organizers turned to a design by artist Olin Levi Warner, which after modification by Barber and by his assistant, George T. Morgan, was struck by the Mint. Some 5,000,000 half dollars were struck, far beyond the actual demand, and half of them were melted. The appropriation did not cure the fair's financial woes, as fewer than 400,000 were sold at the premium price, and some 2,000,000 were released into circulation, where they remained as late as the 1950s. The pieces can be purchased in circulated condition for less than $20; coins in near-pristine state sell for about $1,000, far less than the $10,000 the makers of the Remington Typewriter paid as a publicity stunt in 1892 for the first specimen struck. == Exposition == (詳細はfirst voyage of Christopher Columbus to the New World. The act had established a World's Columbian Exposition Commission to oversee the fair. Leading citizens of Chicago established a World's Columbian Exposition Company ("the Company") to organize the construction, and the Company generally emerged as successful in the resulting infighting as to which group would be in charge. Had it not been for Daniel Burnham, head of the Company's Board of Architects, the fair might never have been built. Burnham, whose favorite saying was, "Make no little plans; they have no magic to stir men's blood", became the czar of the exposition's construction. An undeveloped site of on the shores of Lake Michigan was selected for the fairgrounds. The buildings were in the classical style, reflecting Greek and Roman influences, and were composed of a combination of plaster of paris and hemp called "staff" which resembled marble. President Benjamin Harrison invited "all the world" to take part; many foreign countries erected buildings, and every US state and territory was represented. == Inception == Efforts to promote a commemorative coin for the exposition began around January 1892. They were strongly advocated by the head of the Company's Committee on Liberal Arts, James Ellsworth, who was particularly interested as he had recently purchased a 16th-century painting by Lorenzo Lotto of a learned man, said to be Columbus. Ellsworth wanted the portrait to be the basis of the coin. In this, he was advised by author and journalist William Eleroy Curtis, also a fair official. In April 1892, partisans had gained the support of the Director of the Bureau of the Mint, Edward O. Leech, who envisioned a coin carrying a visage of Columbus on one side, and a suitable inscription on the other. Curtis was well aware of the difficulties with the Mint's failed competition for new silver coins in 1891, which had led to the issuance of the Barber coinage, designed by Mint Chief Engraver Charles E. Barber. The new coins were widely criticized, and Curtis counseled Ellsworth to gain control of the commemorative coin's design process, to ensure both a better design and the use of the Lotto portrait. No United States coin had depicted an actual person, although the goddess of Liberty had often been portrayed. By May 1892, it was apparent that additional funds were needed to complete the fair's buildings. The Company had sold stock, and the City of Chicago had issued bonds to pay for the exposition, but the construction budgets had been greatly underestimated. The Company sought a subsidy of $5 million from the federal government to complete the work. When a direct appropriation met congressional opposition, supporters proposed that the $5 million be in the form of special half dollars which could be sold as souvenirs. The United States had never struck a commemorative, and it was anticipated by organizers that the coins could be sold to the public at double their face value. The bullion would come from the melting of underweight and obsolete silver coins already held by the Treasury, so there would be no expense to the government beyond the costs of production. During the debate over the bill in the Senate, Iowa Senator William B. Allison foresaw, "they would not only be souvenirs for this day and generation but would be transmitted ... to the 200 millions that were to dwell here in the future. Children would cry for them and the old men would demand them." But Ohio Senator John Sherman warned, "the enormous number of () half dollars would destroy their value as souvenirs". With Congress anxious to escape the summer Washington heat, the matter was compromised and the amount cut to $2.5 million, thus five million half dollars. Congress passed authorizing legislation on August 5, 1892. In July 1892, Curtis sent a photograph of the Lotto painting to Leech, who consulted with Barber and replied that the engraver could not work from a painting in which the subject faces forward. So Barber could depict Columbus in profile, Curtis arranged for a little-known Washington, D.C. sculptor, Ulric Stonewall Jackson Dunbar, to create a bust based on the painting at the Company's expense; when complete it was forwarded to Barber in Philadelphia. Barber prepared sketches based on the bust on August 15, and presented them to Acting Mint Director Robert E. Preston (Leech was on vacation), who forwarded them to fair authorities in Chicago. Ellsworth showed them to artists working on the exposition, and to the press. The artistic reaction was negative, and the newspapers suggested that the sketches resembled more a long-haired professor than the celebrated mariner. This controversy, coupled with his anger from public debate over whether the painting actually was of Columbus, caused Ellsworth to refuse permission for his painting to be used. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Columbian half dollar」の詳細全文を読む スポンサード リンク
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